Deprecated: Assigning the return value of new by reference is deprecated in /www/htdocs/w0061f0a/gugelproductions.de/links/services/bookmarkservice.php on line 8

Deprecated: Assigning the return value of new by reference is deprecated in /www/htdocs/w0061f0a/gugelproductions.de/links/services/templateservice.php on line 8

Deprecated: Assigning the return value of new by reference is deprecated in /www/htdocs/w0061f0a/gugelproductions.de/links/services/templateservice.php on line 19

Deprecated: Assigning the return value of new by reference is deprecated in /www/htdocs/w0061f0a/gugelproductions.de/links/services/userservice.php on line 8

Deprecated: Assigning the return value of new by reference is deprecated in /www/htdocs/w0061f0a/gugelproductions.de/links/services/cacheservice.php on line 10

Deprecated: Assigning the return value of new by reference is deprecated in /www/htdocs/w0061f0a/gugelproductions.de/links/services/tagservice.php on line 9

Warning: Cannot modify header information - headers already sent by (output started at /www/htdocs/w0061f0a/gugelproductions.de/links/services/bookmarkservice.php:8) in /www/htdocs/w0061f0a/gugelproductions.de/links/templates/top.inc.php on line 1
film + cinema | Video links | Digitaler Film

film + cinema

Sort by: Date / Title / URL

  1. Digital Distribution & Marketing for Filmmakers » SlideShare (share powerpoint presentations online, slideshows, slide shows, download presentations, widgets, MySpace codes)

    Slides for a workshop on how filmmakers can use the Internet (and other new technologies) to market and distribute their work. This is a talk I've been giving at film schools, and most recently, the Film Arts Foundation in San Francisco. Related blog: htt
  2. When Will The Curtain Fall On Film? « NewTeeVee

    Shooting digitally can change the filmmaking process itself. After all, the scarcity and price of film is what led to conventions like saying “cut” and “action” — and for that matter, rehearsing. Mel Gibson told Variety how his directing style c
  3. Studie "Verbreitung des Rauchens im deutschen Fernsehen und in deutschen Kinofilmen"

  4. Virtual Economics: Why don't cinemas show TV shows?

    So why do they continue to run their businesses as if a monopoly on new films is still their main competitive advantage? It isn't, it's gone. Their main competitive advantages are now technical (a very big screen and a great sound system); and network (th
  5. CinemaTech: Tech Notes on the Ten Top-Grossing Movies of 2006

    The Wall Street Journal ran a list today of the ten top-earning films of 2006, noting that four of the ten were computer-animated cartoons.But even those that weren't computer-animated still incorporate a boatload of cutting-edge technology, whether it's
  6. Film.com

    05.02.2007 to , , , , , by bertram
  7. A WORLD WITHOUT MOVIE THEATERS

    Nearly half (47%) of respondents ages 12 to 17 say they would watch a movie on a PC, well above the interest in doing the same on a cellphone (11%) or video iPod and similar devices (18%). A similar share of those 21 to 24 said they would watch movies on
  8. Wired 14.09: Netflix Presents

    Netfilx vergibt Distributionsdeals an unabhägige Filmemacher. Besonders auf Festivals werden Filme und Talente gesucht, die dann vermarktet werden. Das ganze erinnert an die fühe Miramax strategie.$100 Mio Budget für neue DVDs/Jahr
  9. Wow - The Challenge was accepted….but - Blog Maverick - www.blogmaverick.com _

    Gedanken wie Kinos besser und das Filmgeschäft interessanter und erfolgreicher gemacht werden können. Besseres Erlebnis, gezielteres Marketing und Kinos, Kinos für spezielle Altersgruppen
  10. Can This Man Save The Movies? (Again?)

    Warum soll Film nicht die Vorteile der neuen Technologien nutzen. Mit SinCity konnte ein All-Star Film für unter $40Mio digital gedreht werden - anders wär das nicht möglich. Rodriguez als digitaler Pionier (Collateral) mit neuer Ästhetik. Details zu
    19.03.2006 to , , , , , by bertram
  11. Graduate Film: TIM TOM

    3D Animation, 16 Monate Arbeit, Maya, Photoshop, After Effects soll aber wie Puppentrick aussehen.
    13.01.2006 to , , , , , , by bertram
  12. The Popcorn Palace Economy - The thirsty moviegoer fuels the business. By Edward Jay Epstein

    05.01.2006 to , , , by bertram
  13. Wired News: Will Digital Cinema Can Pirates?

    D-Cinemas müssen Wasserzeichen einbetten zur Rückverfolgung.5Min Film 35bit forensischer Marker(Datum-Zeit-Ort).Zusätzlicher Frame, Ton außerhalb des Hörspektrum? Wasserzeichen sind anscheinend schon in Christies Projektoren integriert.

First / Previous / Next / Last / Page 1 of 1