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What if, instead, Viacom told YouTube that they could host clips from their shows, but reserved the hi-rez versions for themselves, and maybe they could have negotiated a link from the YouTube low-rez scan to the one served on their site. Anything would b
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But, they also bought a way to capitalize on the very real video sharing, social networking, community of interest trend that is truly just beginning. Can YouTube survive and prosper without bootleg content? It is certainly going to be a struggle. If the
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YouTube ... has begun removing more than 100,000 unauthorized clips belonging to Viacom – everything from snippets of Jon Stewart’s “The Daily Show” to Nickelodeon’s “SpongeBob SquarePants.
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Won't selling songs as unprotected MP3s lead to rampant illegal copying? No. Because there's already rampant illegal copying. Most unauthorized copying is done either through online file-sharing networks or by burning CDs for friends.
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The widely-used and much reviled term “user-generated content” implies that somebody is making something. But the dirty little secret of “user-generated” sites like YouTube and MySpace is that much of the content is not made by the users themselve
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Welcome to the terror of the Terms of Service world: Whether or not it is a violation of copyright law (which it isn’t, though the lawyers for YouTube seem to assert to the contrary), the view of many is that “fair use” rights can be promised away j
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What’s interesting here is that Bayern president Karl-Heinz Rummenigge is complaining about footage taken by the fans themselves, not professionally created videos. He claims that access to these clips on YouTube is harming the team’s own video site,
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Google is “engaged in a frantic round of negotiations” with traditional media companies, even offering tens of millions of dollars in upfront payments to ward off any potential copyright lawsuits. Google CEO Eric Schmidt has met with top execs from CB
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The principle of copyright is this. It is a tax on readers for the purpose of giving a bounty to writers. The tax is an exceedingly bad one; it is a tax on one of the most innocent and most salutary of human pleasures; and never let us forget, that a tax
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This paper calls for a re-orientation of innovation and information policy. In our current paradigm, monopoly rights, in the form of intellectual property, displace all else from our thinking on this subject making access a peripheral issue.
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So basically, the big TV distributors could pretty easily work out deals with content rightsholders to be everything Youtube wants to be, but have the inside track to get it done quickly since they are already paying money to the rightsholder and this wou
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YouTube hat Paramount die Userdaten von Uploadern ausgehändigt, die fragliches Material hochgeladen haben. Der User wurde verklagt und YouTube hat einen Präzedenzfall geschaffen: Verklagt die User nicht uns!
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Fake Sharing Sites: YouTube gives users very cool code to either “embed” content on other sites, or to effectively send links of content to other sites. But never does the system give users an easy way to actually get the content someone else has uplo
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The problem for YouTube is, blocked content has a way of flowing to other sources, and it will surely take viewers with it. New owners Google find themselves in a tight spot. They either get sued by unhappy content providers, or get abandoned by fans look
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1. Take the money, promotion and revenue share.2. Keep your content exclusively for your own site and let users access and post content from there.3. Do a cross licensing deal with other content rights owners.
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News Corp., Viacom, and NBC Universal are threatening to seek damages of $150,000 for every copyrighted video posted, apparently in an attempt to pressure the site into offering them more favorable revenue-sharing deals.
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YouTube is a hopelessly inefficient way for consumers to steal copyrighted video content off the web. It's well suited to the negligible-attention-span clips that its users post up there, to music videos and to teasers and excerpts from longer (copyrighte
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It exists to serve a need in the marketplace specifically for consumers who want TV content on demand and it competes for consumers the same way we do, through high-quality, price and availability and we don't like the model.
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Es geht los und es ist Warner! Dick Parsons, the chairman of Time Warner, fired a shot across the bows of Google, saying his group would pursue its copyright complaints against the video sharing site YouTube.com.
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If no one is going to sue anyone for copyright infringement anymore, maybe you could upload stuff you dont have the rights to and get paid by generous people who want to transfer some dollars via PayPal to you.
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So, mark my words, YouTube will get sued. And it will lose. The tools it is talking about, that identify and remove copyrighted content, will have to be rushed into practice. So, mark my words, YouTube will get sued. And it will lose.
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Die Sender brauchen strikte Terms und Conditions um sich gegen verletzungen abszusichern. Auf der anderen Seite bekommen die Künster oftmals nur den Ruhm und keine finanzielle Entschädigung.
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Viacom has the richest resource of short-form, high-production-quality videos in the media world. To such ends, he needs to unlock his video vaults and lead the market of MySpace competitors by giving each and every one a knife to fight with.
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The key to success in media today and in the future is to recognize that we, the people, formerly known as the audience, are in control. Artists, too, now have more control. Middlemen don’t. Middlemen don’t own content, software, creativity, or art.
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Aggregates are a form of content. Aggregates can't exist without ('linear') content to link to - they are a 'higher layer' of content. Linear content can't succeed without aggregates that promote it. Copyright braut neue Anreize
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Problematik der Mashups ob die Industrie nun davon Profitiert oder nicht? Prinzipiell sind sie nicht vom Copyright abgesegnet und können verboten werden. Aber es sollte zu einer laxeren auslegung kommen.
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YouTube wird für seine Terms and Conditions scharf angegriffen. Das große Problem ist dass diese wohl in dieser Form notwendig sind aber eben immer noch Probleme für viele Autoren darstellen.
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Die Franzosen haben ein Gesetz verabschiedet, dass aussagt: DRM darf nicht den Zugang zu legal erworbenen Gütern einschränken oder verhindern. z.B: jemand hat 10 Rechner dann darf er die Musik auch auf diesen abspielen.